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John Ford Chapters 11 & 12: The Masterpieces Pts 1 & 2

CHAPTER 11: The Masterpieces Part 1-My Darling Clementine, How Green Was My Valley, The Quiet Man, The Searchers

John Ford’s My Darling Clementine, How Green Was My Valley, The Quiet Man, and The Searchers are routinely included in most Ford-o-files lists of his greatest masterpieces. It’s a testament to the Old Man’s powers that within a roughly 22 year time span (from 1939’s Young Mr. Lincoln through 1961’s The Man Who Shot Liberty Valance), he made arguably 12 masterpieces. Or put another way: Ford produced an all-time classsic American film every two years.

John Ford is considered the greatest director in the world, or one of the greatest, by among others, Orson Welles, Ingmar Bergman, Federico Fellini, Akira Kurosawa, Steven Spielberg, and Martin Scorsese. Ford is a director’s director: a filmmaker who

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Craig HammillComment
John Ford Chapters 9 & 10: Ford's Fractured Families & Ford's Finales by Craig Hammill

CHAPTER 9: Ford’s Fractured Families

The decade from 1940 through 1950 found John Ford often returning to the theme of the family under pressure, torn apart, reconciled, or even completely fabricated (yet ultimately cohering into something real). Three of these pictures-The Long Voyage Home (1940), Three Godfathers (1948), and Rio Grande (1950)-serve as fascinating sketchbooks for themes Ford would fully develop in masterpieces that shortly followed. And Rio Grande is itself a masterpiece that sets up an even bigger masterpiece (The Quiet Man).

John Ford was always coming back to questions of…

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Craig HammillComment
John Ford Chapters 7 & 8: Silent Ford and 1930's Assignments by Craig Hammill

We appreciate three John Ford silent movies of the 1920’s-The Iron Horse, Three Bad Men, and Upstream which point to the poetic mastery Ford will achieve in the late 1930’s and beyond. We also look with jealousy on an era where a movie director could hone their craft across 80+ movies before really grabbing the spotlight.

It’s instructive (and somewhat sobering) to realize that John Ford was already considered a veteran director of 12+ years before the sound era arrived. And while his 1924 epic of the construction of the transcontinental railroad The Iron Horse was a huge blockbuster that catapulted Ford to top of the director pack, he still was 11 years away from…

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Craig HammillComment
A Christmas Carol (1999, dir. David Jones, UK/US) by Kymm Zuckert

After watching all of those versions of A Christmas Carol last December, you’d think I wouldn’t be able to bear watching this old saw one more time, but you’d be wrong! I love this story, and it can be done so many ways, there is no reason for me not to be thrilled about a new version. And this year, we have two! But they will have to wait for next week, because this week we have one of the classics that I meant to get to last year, but ran out of time: the Patrick Stewart version. 

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Josh OakleyComment
Roar (1981, dir. Noel Marshall, US) by Matt Olsen

At the time of its original release in 1981, there had never been a movie like Roar, which is an impressive feat considering the roughly eighty years of film history before it. Even more impressive is that there hasn’t been a movie like it since. Going further, there will never be another movie like it. (Discounting any descent into a Mad Max-like anarchic dystopia.)

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Josh Oakley