WHY RAINER WERNER FASSBINDER IS SECRET MOVIE CLUB'S DIRECTOR OF 2021 by Craig Hammill
Each year, we’d pick a new amazing director and devote that year to as thorough a deep dive and celebration of their work as possible.
Interestingly, when we began programming the movies of German director Rainer Werner Fassbinder this past month, it was only because we love his movies so much and found we could get them on 35mm.
Then, organically, through the side door, the way many great ideas come, we realized HERE was our director for 2021…
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KYMM'S 365 DAY MOVIE CHALLENGE #22: The Games of the V Olympiad Stockholm, 1912 (2016, dir by Adrian Wood, Sweden))
So, the other day a bunch of Olympics movies appeared on the TCM app, and when I was looking for information about one of them I saw that it was also on the Criterion Channel. Then I looked and saw that what Criterion had was all of the same films that were on TCM, plus way more!
Criterion has a collection of 53 films about various Olympic Games from 1912-2012…
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MY SUMMER WITH ROHMER by Patrick McElroy
The films of Eric Rohmer capture a slow, meditative examination on the smaller moments of daily life, that are often cut out of most movies in favor of life’s key events. Many of his films often explore their main characters on vacation, with his relaxed style, and his love of nature, he perfectly captures the feeling of being on vacation, in which we try to escape from the hecticness of our work lives, into an exotic area. Not only to escape, but also to confront the internal conflicts of our lives…
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Film writer Patrick McElroy on the 20th anniversary of Hayao Miyazaki's masterpiece SPIRITED AWAY
The term landmark is often thrown around to describe certain movies.
While some of the films might be great, we may not think of it as a time before, or after they were released. But if there was one film within the last few decades that I would think of as a landmark, it’s Hayao Miyazaki’s animated masterpiece, Spirited Away, which…
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KYMM'S 365 DAY MOVIE CHALLENGE #21: SUMMER OF SOUL (2021, dir by Questlove, USA)
1969 was the end of a tumultuous decade, the likes of which had not been seen before. So much happened in those 10 years: assassinations, war, the rise of youth culture, Black power, gay pride, the women’s movement. Many marginalized groups rose up to assert their dignity. And the capper of the decade was Woodstock, three days of peace and music on Max Yasgur’s farm in Bethel, NY. Woodstock grew to embody not only 1969, but the 1960s entire…
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Film writer Patrick McElroy on the surprising topicality of Eliza Kazan's forgotten masterpiece WILD RIVER
When film historians recall Elia Kazan, the titles that often come up are his Oscar winning classics such as A Streetcar Named Desire, On the Waterfront, and East of Eden. A film of his that’s often overlooked, that was also neglected upon its release, but still has social currency more than half a century later, is his 1960 masterpiece Wild River…
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The Absolute Importance of ERASERHEAD to any aspiring filmmaker by Craig Hammill
This past Saturday, we had our largest audience since COVID attend a 35mm double bill of David Lynch’s Eraserhead and Mulholland Drive at the Million Dollar Theater. Although I’m often exhausted these days between our newest baby daughter (we love you Pamela Aida!) and the rigors of working to grow Secret Movie Club post-pandemic, I had to plop myself down in a seat and watch ERASERHEAD in all its 35mm glory. Sleep be damned!
Watching these shadowy dreamy silvery phantasmagoric images on the screen…
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KYMM'S 365 DAY MOVIE CHALLENGE #20: THE HITMAN'S WIFE'S BODYGUARD (2021, dir by Patrick Hughes, USA)
The Hitman‘s Bodyguard was a movie that I planned to see, the trailer looked really good, but I never got around to it. Now there’s the sequel, The Hitman‘s Wife’s Bodyguard, which I also planned to see, and the trailer looks really good, and I did, in fact, get around to it. The question was, though, was I going to watch the first movie beforehand?
It got to be the day before we were going…
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Film writer Patrick McElroy on all-time great film composer Ennio Morricone
There are some film scores in which we see an image in our own lives, and we think of the composition.
When seeing a shark, we can’t help but not think of the pounding strings of John Williams score for Jaws, when we see a shower curtain, in our minds the screeching violins of Bernard Herrmann’s score for Psycho, and when we see gangsters, we think of the haunting brass notes of Nino Rota’s score for The Godfather.
During the last half century, one cannot see the open west…
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UNUSUAL MUSICALS by Matt Olsen
UNUSUAL MUSICAL #1: London Road (2015) directed by Rufus Norris
London Road bears the dubious distinction of being a film which absolutely nobody I’ve ever met has heard of – much less seen – despite the fact that it was released in theaters in the relatively recent past, received a majority of positive reviews, features two Academy Award-nominated or winning actors in Tom Hardy and Olivia Colman, and is, to my knowledge, totally unique. You might think there’s a…
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KYMM'S 365 DAY MOVIE CHALLENGE #18: THE SPARKS BROTHERS (2021, dir by Edgar Wright, UK)
I have been vaguely hearing about this movie as being a thing that existed, but I was not even remotely interested in it. And I don’t mean I was like, “UGH! Why would I want to watch a movie about THOSE PEOPLE?!“ but more along the lines of, “That’s a thing that wasn’t made for me, moving on. Hey, In the Heights is coming soon!”Then, on the podcast Filmspotting, they didn’t do a full review, but Adam talked a bit about it, and how he had never heard of Sparks, but that it was a doc by Edgar Wright, and it was so interesting and cleverly made, and the music is great, and he came out going, “I must start listening to Sparks!” I thought, I think I want to experience this feeling, and…
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