Blog

The Wide World of Shorts: La Cabina (1972, dir. Antonio Mercero, Spain)

For any reader who did not immediately close the page upon encountering the “bleak movies” descriptor in the previous paragraph, first of all, hello, I am you. Secondly, La Cabina is a comedy – a very dark comedy – about a man’s increasingly difficult challenge to maintain his dignity under trying circumstances. This summary admittedly sounds an awful lot like another dark comedy called, you know, life. In other words, it’s entirely relatable.

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Josh Oakley
Kymm Zuckert Discovers the Origins of Hugh Grant in Privileged (1982, dir. Michael Hoffman, UK)

At the end of 2021 I decided my project for the year would be to watch the entire output of one actor, that actor being Hugh Grant. An Oevre-view, if I may brazenly steal the term from Filmspotting. It is now mid-May and the whole “of the year” thing of this project seems to be wildly optimistic on my part, but if I start this second, perhaps I won’t have to slop too much into 2023. Perhaps. He’s been kind of prolific, has our Hugh.

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Josh OakleyComment
Kymm Zuckert Celebrates Bollywood with Om Shanti Om (2007, dir. Farah Khan, India)

I am part of a monthly online movie-watching group called Bollywood Club. My friend Amber is a huge fan of Bollywood and for her birthday she invited a group of us to watch a Bollywood movie together. I decided to do it because she is my friend, not because I had the slightest interest Bollywood, but by the time the film was over, all of us newbies were raging fans. Bollywood will do that, it is magic!

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Josh OakleyComment
Patrick McElroy on the unparalleled mastery of Japanese filmmaker Kenji Mizoguchi

When people discuss the best Japanese film directors, the three names that often come up the most are Akira Kurosawa, Yasujiro Ozu, and Kenji Mizoguchi.

Kurosawa is of course a foundational figure in the world of film, and Ozu is one of the key names in art house circles, but the one that gets overshadowed among the three is Mizoguchi, which is unfortunate, because he’s maybe…

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Craig HammillComment
You Won’t Be Alone (2022)

So, a couple of weeks ago, Morbius opened, which I wanted to see through morbid curiosity (pun intended), but Blake, my movie-going pal, did not. “Aw, c’mon, there is nothing else opening!” “I don’t believe you.” “Well, there’s a Macedonian film about witches…” “I’ll take it!”

So the only reason I saw this movie right away on opening weekend was because Blake wouldn’t be seen dead at Morbius (pun unintended that time), and I’m very glad I did, because…

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Craig Hammill